John Waddle has assembled the violin, varnished it and set it up. It's questionable how many violins Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. The Betts Stradivarius violin was the focus of the workshop. Ward owned the violin for over 40 years; on his death it passed to the Hills. He was a pupil of Richard Duke, and, in the few instruments made by himself, showed that he had imbibed much of Duke's lore. If you are a person who is fortunate enough that you can afford to buy a genuine Stradivari, Guarneri, or Amati, by all means, you should do it! If you currently own a John Betts Violin, click the button below to receive a free valuation: 2023 Brompton's Auctioneers Limited | The First Floor 33 Percy St. London W1T 2DF, Web design by Karolo photograph | 35 photographs : color | Photograph (Form). The Betts family name came to prominence in the violin making world thanks to the work of John Betts, born in Stamford in 1752. The front is two pieces of straight grained spruce and the varnish is a beautiful reddish-brown typical of the best English instruments of the period. , 1803Viola, John Betts Violin by Antonio Stradivari, Cremona, "Betts". Fax: +1 212 202 4660, Tarisio London After having been painstakingly set up and made ready to play by the expert luthiers at our workshop, our professional violinist played it and was delighted by the rich timbre, radiance and maturity of its powerful warm voice and in recording the audio samples for this violin, he was able to bring the distinctive character of its voice to life. The workmanship is solid and sober, without being refined and artistic like the work of Betts' master. Below, Chris Germain (shown on the left) is the director of the workshop and has a violin shop in Philadelphia, PA.. John Montgomery takes care of the instruments in the Library of Congress, and has a violin shop in Raleigh, North Carolina. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations. He . John Betts, Violin, c.1790, London. photograph | 16 photographs : color | Photograph (Form). John Betts cello, London circa 1810 John Betts cello, London circa 1810 First Name (*) Last Name (*) My Phone. Gregg Alf was in charge of the varnishing of this violin, and did a beautiful job. Instruments made at the workshop are offered for sale to the public, with the proceeds going to keep the workshop in operation. Photograph (Form). While these craftsmen produced a very important body of work, particularly the cellos which have become highly sought-after, Betts greatest importance was as a violin expert. It remained a treasured . Can you tell which is which? Upon his death in 1823, he left the shop to his younger brother and pupil Arthur, as well as his nephew Charles Vernon. please inquire . They serve to improve service and provide a more personalised experience. London Not consenting or withdrawing consent, may adversely affect certain features and functions. The luminous golden-brown varnish is so transparent that even the most nuanced details of the tightly flamed maple used for the back can be seen, and the blackened edges of the small and charmingly shaped scroll round out this violin; it has been kept in very good condition and has undergone only minor repairs that are fitting for an instrument of its advanced age. John Betts was born in Stamford, England, in 1752. Using our new process of reverse engineering, and choosing wood carefully, we can make consistently good sounding violins that are comparable to instruments made in the past and not accessible to the public. London, Violin - This violin from about 1790 is stamped on the back Betts / Royal Exchange / London. , circa 1790Cello, John Betts 1730, "Kreisler", Violin by Giuseppe Guaneri, Cremona, ca. One of the many things that is pleasing about this beautiful instrument is that it represents some of the very best work of both makers. Web.. https://www.loc.gov/item/ihas.200155591/. Under the sole ownership of Arthur, the workshop became incredibly skilled at imitating the work of the great masters and participated in some of the ethically short-sighted restoration practices that went on during the Victorian era. You can contact the auctioneer on +44 (0)1543 251081 for more information. (1752 - 1823) Little is known about the early life of John Betts, son of Edward Betts, a farmer from Stamford. Article. (351 mm) with double case (2) If you wish to view the condition report of this lot, please sign in to your account. The last photo is a copy we made. Violins and cellos for sale in London from Bridgewood & Neitzert Ltd: The UK's leading violin dealers, restorers & makers. Betts himself became Official Valuer of violins to the Customs office. The instrument made by the group involved in the previous year's class is also varnished, strung up, and played. Books from Amati. He came to London to work for Richard Duke in Holborn in 1765. Betts was a talented maker himself and also employed some of the most talented English makers of the period, including . 1786 These cookies provide basic security, authentication and network management functions. Bow maker / Violin maker Composite, newer top (19th century) original back and sides. John died in 1823 and the shop continued as the centre of expertise in London, under his sons John and Arthur, until 1867. The 1704 "Betts" Stradivari violin was crafted by Antonio Stradivari, an Italian manufacturer of string instruments who lived from 1644 to 1737. This website uses cookies to ensure that we give you the best user experience. In addition to his work as a maker, Betts imported the highest-caliber Read More Italian instruments to London, and was partly responsible for the ascent of Stradivari's reputation to equal Stainer's in public opinion of the period. The instrument is the work of one of his students or another luthier who upheld the Betts tradition, making it a worthy representative of early 19thcentury English violin making, and its interesting, stylish aesthetic is just as compelling as its exceptionally beautiful sound. Analytics cookies help us understand how visitors interact with our site, detect errors, and provide better overall analytics. Violin - Tarisio Auctions The striking one-piece maple back of medium and broad curl descending from left to right; the maple ribs of narrower curl; the maple head of broad curl; the two-piece spruce table of mostly fine grain narrowing toward the flanks; the varnish a golden . He used two or three different labels. Gregg Alf is shown here carving the final shape of the blocks in the rib structure of the copy. He was universally known as " Old John Betts," and was well respected and patronised. Its everything we look for in a violin: the perfect combination of warmth, projection and flexibility of tone. Songs and Music. John Betts (1752 - 1823) was apprenticed to Richard Duke in 1765 before becoming established independently in 1781 in Holborn, then the Royal Exchange. His instruments reflect the same care and artistry admired in the cremonese masters. This outstanding reputation may be why John Betts was always able to engage excellent violin makers such as Richard Tobin, Henry Lockey Hill and members of the famous Panormo family as his employees. The 2010 project was to make a copy of the "Ole Bull" Guarneri violin, which was finished in 2011 . John Betts London. Email (*) Message (*) Enter Captcha. With its expressive personality, the instrument presented here was likely made by one of his students and reflects the influence of "Old . Using another set of wood, also carefully selected, John, Steve Sirr, and Steve Rossow have completed another Betts copy violin. A deal was made and the instrument changed hands for the sum of only one guinea. Most work is branded Betts, Royal Exchange on the upper back. Users should consult the bibliographic information that accompanies each item for specific information. After many years working for Duke, Betts became the foreman of his workshop and eventually took over the business. The Betts violin was the focus of the 2011 Oberlin Workshop, and John Waddle, Steve Sirr, and I were excited to have renowned makers such as Gregg Alf, Chris Germain, Bill Scott, Raymond Shryer, and Sam Zygmuntowicz join us in working on a group project creating a copy of the Betts, using a top, back, neck, and scroll that I had carved using CT . Germany, Email: info.berlin@tarisio.com In about 1820, an individual entered Betts' shop at the Royal Exchange in London and offered the violin in its pristine state. Part of that status comes from the circumstances of its acquisition. What a good looking bunch! Brompton's reference library, in association with Claudio Amighetti, provides you with the price of a Violin by John Betts from Brompton's March 2012 auction results. This violin, a copy of the "Ole Bull" Guarneri, is finished and has been sold. Dismiss. Stamped Betts / Royal Exchange / London. 35.6 cm London, 1810 c. after "Nicolo Amati", 73.6 cm London, Early 19th C. [Workshop of]. The violin is in exceptional original condition. This instrument is now in my possession, and in excellent condition, having been recently repaired by Mr. J. W. Owen of Leeds. The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network. London, England c. 1790-1810 Length of Back: 36.0 cm Upper Bout: 16.1 cm Middle Bout: 11.0 cm Lower Bout: 20.0 cm Certificates on file: Bein & Fushi 1984 William Lewis and Son 1957 Fine Fretted String Instruments2345 Winchester Blvd. A very successful employee, Betts assumed the role of shop foreman .
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